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Joined 2 years ago
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Cake day: January 24th, 2024

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  • Great article.

    Probably a dumb question, but my mobo has an option in the setup utility to “enroll hash” and it seems to let me pick an .efi executable.

    Can I just use that to sign any bootloader (or efi executable for that matter) I want, e.g. HackBGRT, GRUB2, and if so, would that allow me to play Battlefield 6, or would the other features like TPM attestated logs indicate the chain loading and flag me for a ban (or simply not let me launch the game) ?








  • LainTrain@lemmy.dbzer0.comtoWikipedia@lemmy.worldEbola-chan
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    3 days ago

    Blast from the past. I remember that site that let you play many YT videos at once and people would have ‘In A House, In A Heartbeat’ playing over stock screams and crowd noise and ebola news coverage and post it in the happening threads before we found out nothing ever happens.

    I was a kid back then obvi, I didn’t understand the racism of it, I’m sure many others were the same.



  • Is the container exposed to the internet?

    If yes, do not.

    If no, I think it will be ok so long as it’s actually not exposed to the internet, e.g. ideally behind NAT with no port forwards and all ipv6 traffic turned off or some other deny all inbound firewall outside the system itself that sits between it and the system on which the container runs.

    In the worst case scenario: you’ve given someone a file share on your root partition, but if it’s not exposed to the internet, then the chance of it happening is extremely remote.



  • I agree.

    Even more broadly, politically - copyleft in general is very unpopular with people, even amongst leftists and self-identified communists who you’d think would be all about that since y’know, good of the commons and the fact that communist states literally didn’t give a fuck about copyright and the literature seeing it transparently as another government method of enforcing corporate power, especially apparent today when it comes to pharmaceuticals snd the fact that capitalism needs this intellectual property monopoly as an added incentive for R&D is an issue with capitalism’s broken incentive structures, not cost in and of itself or science/technology.

    Few people seem to understand the power of intellectual property, and various critics of corporate technology either omit mentioning or openly defend intellectual property, despite corporations having monopolies being the reason enshittification is such a phenomenon in the first place.

    It seems like a lot of arguments about the role of technology in society instead boil down to more-stuffism vs. less-stuffism, usually based on emotionally charged preference for modern aesthetics or how much they believe the noble savage/appeal to nature fallacies.

    When it comes to AI for instance, anyone reasonable can see that if it’s open sourced for everyone to use then it’s just a simple common good like a public library, use it (responsibly) and there’s no issue.

    Closed source private models in use by corporations suck up the environment (which belongs to everyone) and use the capital they steal from wage workers who actually produce the things they sell to give themselves leverage over said consumers/workers and other corporations, and this is not fair to the 99%.

    Picture a world where AI is good enough to where it actually provides value to use it in a good chunk of jobs, and the best AI is corporate and closed source, and they just enshittified it and jacked up the prices, but if you want to get a job, you better know how to use it well. It would mean that corpo has an enormous power over your life now and you got little choice but to pony up, and they can raise prices whenever they want and snowball that capital into more and more.

    I think the reason in this instance is that a lot of artists are bourgeoisie themselves and they understand that. They may be progressive as a personality trait/gimmick/style and talk about “empathy” but they understand the material reality of things.

    They had the opportunities and the room for failure necessary to go into such a high risk field, and their ultimate form of commercial success is essentially using that privilege to create intellectual property they could make money from, hence the “concerns” over “style theft” and moralist fearmongering over vaguely defined concepts like “soulless”, which is usually as arbitrary as “white” for racists (not implying equivalence here).

    I find generally that a lot of the anti-AI viewpoints are simple self-serving veils of bourgeoisie who’s capital is threatened, no different from the culture war fearmongering about vaping, a dying grasp of the tobacco companies of old threatened by shenzen gadget slop factories.

    The material reality is that digital goods are effectively infinite, copying an image isn’t a crime nevermind copying a style or some such, it is transparently absurd to imply otherwise.


  • I agree.

    Even more broadly, politically - copyleft in general is very unpopular with people, even amongst leftists and self-identified communists who you’d think would be all about that since y’know, good of the commons and the fact that communist states literally didn’t give a fuck about copyright and the literature seeing it transparently as another government method of enforcing corporate power, especially apparent today when it comes to pharmaceuticals snd the fact that capitalism needs this intellectual property monopoly as an added incentive for R&D is an issue with capitalism’s broken incentive structures, not cost of it.

    Few people seem to understand the power of intellectual property, and various critics of corporate technology either omit mentioning or openly defend intellectual property, despite corporations having monopolies being the reason enshittification is such a phenomenon in the first place.

    It seems like a lot of arguments about the role of technology in society instead boil down to more-stuffism vs. less-stuffism, usually based on emotionally charged preference for modern aesthetics or how much they believe the noble savage/appeal to nature fallacies.

    When it comes to AI for instance, anyone reasonable can see that if it’s open sourced for everyone to use then it’s just a simple common good like a public library, use it (responsibly) and there’s no issue.

    Closed source private models in use by corporations suck up the environment (which belongs to everyone) and use the capital they steal from wage workers who actually produce the things they sell to give themselves leverage over said consumers/workers and other corporations, and this is not fair to the 99%.

    Picture a world where AI is good enough to where it actually provides value to use it in a good chunk of jobs, and the best AI is corporate and closed source, and they just enshittified it and jacked up the prices, but if you want to get a job, you better know how to use it well. It would mean that corpo has an enormous power over your life now and you got little choice but to pony up, and they can raise prices whenever they want and snowball that capital into more and more.

    I think the reason in this instance is that a lot of artists are bourgeoisie themselves and they understand that. They may be progressive as a personality strait/gimmick/style and talk about “empathy” but they understand the material reality of things.

    They had the opportunities and the room for failure necessary to go into such a high risk field, and their ultimate form of commercial success is essentially using that privilege to create intellectual property they could make money from, hence the “concerns” over “style theft” and moralist fearmongering over vaguely defined concepts like “soulless”, which is usually as arbitrary as “white” for racists (not implying equivalence here).

    I find generally that a lot of the anti-AI viewpoints are simple self-serving veils of bourgeoisie who’s capital is threatened, no different from the culture war fearmongering about vaping, a dying grasp of the tobacco companies of old threatened by shenzen gadget slop factories.

    The material reality is that digital goods are effectively infinite, copying an image isn’t a crime nevermind copying a style or some such, it is transparently absurd to imply otherwise.






  • Just to add a contrasting perspective I feel like it’s been an absolute golden age of gaming for me lately personally:

    No Man’s Sky still getting relatively fun updates. Cyberpunk 2077 was great on launch and arguably much better now.

    The Last Of Us Part 2 on PC is incredible and I’m happy that the port exists so I could experience it. You haven’t really played the game till you replay it with both protagonists wearing their Hotline Miami shirts in all the cutscenes. PS4 Spider-Man on PC was prolly the best superhero game I’ve played.

    MSFS2020 opened a whole new world of flight sims to me, especially when it comes to doing fun VOR2VOR navigation with littlenavmap charts printed to PDFs and attached in VR, and Assetto Corsa did the same for racing sims.

    Speaking of VR, H3VR is stronger than ever. I have many fond memories of VRChat just a few years back.

    Victoria 3 has a really fun thriving modding scene. Indie games like Sea Power, Flight of Nova, Stray, Ultrakill, World of Horror, Nuclear Option, Descenders and Crisis In The Kremlin: The Cold War have been a big timesink for me lately as well as classics of indie like Suzerain and actual art masterpiece DEFCON.

    It’s also been great to go back and play old classics and PS3 emulation now that PC hardware is much cheaper after the crypto/scalper crises circa 2018.

    Also, with Steam play and the steam deck, PC Gaming is easier than ever and just hassle-free.

    I never played the popular junk so ig to me all this gacha mtx horse armor crap just doesn’t really relate.