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Joined 2 years ago
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Cake day: July 11th, 2023

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  • I’ve barely played anything Nintendo post-SNES, so my assumptions are largely academic.

    But to me at least, the primary advantage of dedicated emulation devices such as this (o er a smartphone + controller), is that you’re somewhat actively invested into the games you’re playing, and not distracted by notifications etc.

    For me, having access to every single ROM/ISO means I’m rarely as engaged into any single title than I was as a kid and only had access to maybe 2-3 new games a year. Back then, I played the hell out of every single title because I didn’t have a choice; that was my Birthday/Christmas present, or I saved up all of my pocket money for a while.

    But to each their own, I’m quite happy with my Steam Deck - and it does the job of enabling me to play my PS2 collection admirably!















  • Very true, same applies to the ESRB in the US. The ESA literally only formed the organisation to self-censor rather than leave it to the Gov’t following outrage over Mortal Kombat — if I’m remembering correctly?

    Here in Australia, the ACB is a government body — but just about as useless, if not even more so! For the longest time, we had to have our games additionally censored because they were viewed as for children and therefore couldn’t depict excessive violence, any sexual themes or drug use. Manhunt, Grand Theft Auto 3 & Vice City were notable examples.

    What am I getting at, even I don’t know. I guess to say that both implementations can be shit…? 🤷🏻‍♂️




  • Rocko’s Modern Life, Angry Beavers, Ren & Stimpy, etc.

    That was a rabbit hole to fall down, unlocking so many childhood memories! For some reason, I thought those were all by Klasky Csupo, turns out I totally misremembered… 😅

    May as well throw CatDog onto that list too, I sing the theme song to my daughter to make her laugh…

    I kinda feel sorry for later generations, there really is no way that modern kids animation holds a candle to what we millennials got to experience.



  • You know what really grinds my gears?

    Region-specific bonus tracks that are literally not available on any streaming service in an official capacity; the only place I can find them are on YouTube - where they could get DMCA’ed at a moment’s notice…

    Two tracks off the top of my head like this are:

    1. Don’t Tell Me It’s Over by Blink 182, from Take Off Your Pants & Jacket
    2. Subject to Change by Sum 41, from Chuck